You can see the algorythm applied moving the mouse inside and outside the image
Seattle skyline from ferry to Bainbridge
LCE with radius 200 at 100% with the Mario Olivotto technique as described in our Advanced Tutorial- Res. 4674 by 2843 pix
This file waw particularly difficult because of the skyline of skycrapers on the sky producing ugly halos. Virtually almost impossible to create a mask in the blue.
Here I was testing Leica M lenses on the new Olympus Pen EP2. The results were very good with the Summicron 50, but surprisingly bad with the the 35ASPH Summicron. I shot this one with the 35. Due to the bad performance of the lens and the heavy vibrations of the ferry the image is not sharp and the microcontrast not good. The application of LCE at 200 strongly enhanced the local contrast and improved the overall rendition of the colors.
Camera: Olympus Pen EP2 - Lens: Leica 35ASPH Summicron M, Exp.1600 sec. f2.8, ISO 125.
Stitch of three shots.
© Roberto Bigano 2009
Un instrumento inmediato y potente para regular el contraste local de una imagen en Photoshop, con un algoritmo que protege las luces altas y las sombras evitando quemaduras y negros sin detalle. La interfaz es simple y limpia: un único cursor permite modular el efecto de manera muy intuitiva.
In 2000, Christian Poulsen, Hasseslblad's current CEO, created a new proprietary format for the Imacon scanners, the Flexible File Format or fff. 3F has determined the bigger revolution in the field of original analog scanning since the introduction of the drum scanners.
Partimos de un concepto muy simple: unir competencias maduradas a partir de experiencias profesionales tradicionales a las posibilidades ofrecidas por las nuevas tecnologías, sobre todo en el campo de la fotografía digital high end que garantiza resultados excepcionales. Trabajamos en Hasselblad digital multidisparo, con resoluciones de hasta 88 millones de pixel a 16 bit que permiten realismo, nitidez y fidelidades cromáticas incomparables.